Lynch-Bages vertical tasting 1945-1995

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The wines of Pauillac’s fifth growth estate, Lynch-Bages, have long been a favourite with British claret drinkers, so it didn’t need Geoffrey Dean to think twice when he was invited to the deepest Tyrol where a remarkable tasting was to take place. In a cellar stuffed full of blue chip wines Geoffrey was treated to a vertical tasting of Lynch-Bages 1945-90, not every vintage of course but near as dammit. With stained teeth and a beatific smile here he picks out the wines that really did stand the test of time.

 By Geoffrey Dean

Thanks to a remarkable collection of wines that the Pfurtscheller family have been building up in their hotel cellar in the Austrian Alps, two vertical tastings per year of some great European houses – from France, Italy and Spain – are being offered to connoisseurs at the Jagdhof Hotel, just south of Innsbruck in the picturesque village of Neustift. The Buyer was fortunate enough to be asked to the winter tasting over dinner, which featured the grands vins of Lynch-Bages, the Pauillac fifth growth, from 1945-1995. 

The tasting was sensibly broken down into five flights of four vintages apiece. The first featured four post-war ones from the 1940s, including three greats in 1945, 1947 and 1949. The second took in the first half of the 1950s; the third 1959, 1961, 1970 and 1975; the fourth focused on 1982-6; and the fifth the stellar quartet of 1988, 1989, 1990, 1995.

Where else can one start but 1945?

It was fitting that the end of the Second World War should see such a special vintage after a summer of drought and very high temperatures. Severe May frosts led to a very small crop size, which further enhanced concentration. Despite a rim that was significantly lighter than that of the other three wines, red fruit was still gloriously apparent on the palate. Fresh acidity and firm, well-integrated tannins had held this wine together, with its complexity undimmed and its finish lingering.

1947’s tannins were more firmer still, although beautifully meshed, and its fruit was better preserved. Lively acidity made this another very appealing wine. 1948 was less so on account of its dry, overt tannins, although its finish was pleasingly long. Then came the wine with the best fruit of the four – 1949 – a glorious wine with fine tannins that was complex with vivacity, freshness, concentration and pronounced length. One of the wines of the tasting.

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The 1950 came from an abundant crop, which was nearly double the size of 1949 when ‘coulure’ was as bad as any of the locals could remember. With a high yield came uneven quality, making it an unexceptional year as far as the trade were concerned. A faded rim and slight cloudiness were apparent, but fresh acidity, good intensity and length still made it a pleasurable claret. 1952 possessed remarkable freshness, as well as marked intensity of flavour and length. Firm tannins gave it structure, while its evident complexity marked it out as an impressive wine. 1953 was even better, exuding a fragrant nose, real elegance and charm. Yet, it also had tremendous intensity, concentration and length. Above all, its tannins, acidity and fruit were in perfect balance. Another magnificent wine. 1955 inevitably suffered by comparison, although its tannins were superbly integrated and it was very long, if not quite as complex.

Next to what pundits at the time proclaimed the ‘vintage of the century’ – 1959 – although two years later came another that made a strong case for this moniker. 1959’s tannins were still robust on tasting, holding the wine together. Interestingly, it was Pinot Noir-like in colour, being much lighter than the 1961. Freshness, concentration, intensity of flavour and a lingering finish were hallmarks of this great wine. The 1961 likewise fully lived up to its reputation, for some observers have wondered if the powerful tannins that characterised the vintage will outlive the fruit. This 1961 possessed incomparable balance between a strong tannin structure, vibrant acidity and glorious fruit. Its length seemed never-ending.

What was an oustanding third flight continued with the 1970. Weather conditions that year were conducive to greatness with successful flowering, heat and drought in July, a wetter August with sunshine, and a long hot ripening period. The tannins were a little dry, but the fruit had not faded. Concentration, complexity and length were all evident. Michael Broadbent admitted that at a blind tasting of this wine, he thought it so good that he mistook it for Mouton-Rothschild. 1975 could not match the preceding vintages, high alcohol and high tannins leading many to question its balance. The tannins of the ’75 tasted were cloying, although the fruit quality was not in question. It was also long with good concentration.

By contrast, 1982’s tannins were silkily soft and seamlessly integrated. This elegant and complex wine showed superbly, with glorious red cherry fruit seducing the palate. Although the accepted wisdom was that the 1983s were not for long-term keeping, the fruit core was lovely, although the tannins were not quite as well meshed. It had a very long finish. The 1985, widely regarded as the vintage of the decade, was one of the show-stoppers of the night – intensely fragrant, firm tannins but so well integrated, such an elegant and refined wine. 1986 also had very flavoursome fruit, which almost leapt out of the glass, but its tannins were still masculine, perhaps overly so.

The wine cellar at Hotel Jagdhof has over 20,000 bottles and 1,250 different wines

The wine cellar at Hotel Jagdhof has over 20,000 bottles and 1,250 different wines

A triumvirate of consecutive fine vintages began with 1988. Thicker than average skins at harvest led to some high tannins but these have softened nicely, although they were still firm on tasting.  Very marked concentration and a long finish were apparent. 1989 was an even greater vintage, its sturdy tannins marking it out as another vintage to lay down for keeping. Packed with vivacious fruit and flavour, it is a powerful wine that is now showing how good it is. So did the 1990, an elegant and complex wine with such great balance.  Deeply-coloured, with mulberry fruit, it was rich and spicy with silky tannins. 1995’s tannins were overt yet chalky, and the wine had tremendous concentration and length. It is ready now but will keep.

The Pfurtscheller family, who have been collecting many old vintages of the world’s greatest wines, are keen for them to be drunk by connoisseurs who appreciate them. Their close links to Figeac mean they have an extraordinary number of vintages from the St-Emilion chateau. Those will be amongst the wines featured in the next tasting weekend at Hotel Jagdhof in September.

That weekend (19-22 Sept, 2019) there will be three special tastings: all the vintages of Matarocchio, Tenuta Guado al Tasso; Cheval Blanc & Figeac; and Burgundy (wines to be advised) contact  www.hotel-jagdhof.at for further details.




Women ride the Cresta Run

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WINTER SPORTS

Crazy’ adrenaline-seekers become first women to race Cresta Run in 90 years

Geoffrey Dean meets India Ford, who was the first woman to tackle the Run after a ban was lifted

Women were banned from racing down the Cresta Run from 1929 until Ford became the first this winter. Here, she almost crashes out of Shuttlecock Corner

Women were banned from racing down the Cresta Run from 1929 until Ford became the first this winter. Here, she almost crashes out of Shuttlecock Corner

The Times, January 23 2019, 12:00pm

A dozen women have so far taken the opportunity to ride the Cresta Run this season, after a 90-year-old ban on them from racing was lifted by the St Moritz Tobogganing Club last summer. The very first female down the Run this winter was India Ford, a 19-year-old Australian student from the University of Edinburgh, who admits that her friends think she is “crazy” to attempt it. Remarkably, she was followed down early in the new year not only by her three sisters but also by her mother.

The concept of the Cresta Run, which was first built over the winter of 1884-5, was dreamt up by five perennial British guests at the neighbouring Kulm Hotel, who formed its splendidly-named “outdoor amusements committee”. Indeed, the link between the Kulm and the Cresta remains particularly strong, with the prize-giving for all 30 or so races down it every season being conducted in the hotel’s celebrated Sunny Bar. The Run is built from scratch every December using the natural contours of the Engadine Valley and earth banks to provide a framework on which to pile snow, which becomes ice.

Women were permitted to race until 1929 when, citing injury concerns and fears it could lead to breast cancer, they were banned. That was undermined when the women’s skeleton event was brought in at the 2002 Winter Olympics. With other male-only sports clubs such as cricket’s Marylebone Cricket Club and golf’s Royal & Ancient electing to allow women in, the St Moritz Tobogganing Club decided to follow suit at an emergency general meeting last July when two thirds of the membership voted in favour of their inclusion.

Riders can reach speeds of up to 70mph

Riders can reach speeds of up to 70mph

Previously, women were allowed down the Run only on the final day of the season in early March. Ford, whose Sydney-based father Simon has ridden the Cresta Run for more than 20 years, did her first ride in March and hooked by the experience, landed a holiday job at the club’s shop so that she could ride from the start of this season.

“It’s such a different experience — unlike any other sport,” she said. “You’re just holding on tight in the first ride, trying not to fall off and just make it to the bottom.”

That is about 900m away at the end of a five-foot wide, walled-in stretch of ice that includes a famous 90-degree bend named Shuttlecock Corner. There are other sharp turns in the steeper, upper part of the Run, which adds another 300m to it but which is tackled only by advanced riders. As yet, no women have qualified to ride from this summit of the Run, known simply as ‘Top”.

For novices like India Ford, it is quite enough of a challenge to start their ride from two-thirds of the way down the Run by Junction Hut. “One day, I’d love to go from Top as it just looks the biggest thrill,” she said. “But starting at Junction is hard enough. After the fear-of-the-unknown first ride, you enjoy it by the third one when you’ve stopped bumping into the sides. I’ve skied all my life, and you get the same kind of thrill and adrenaline-rush as skiing down the scariest black run.

“I find the best way to explain it to friends is that you’re lying face-first on a flat toboggan pointing down a bob run. People sort of understand that but they don’t understand why you would do that. The exception was a team of four girls from Oxford Brookes, who came out to ride before Christmas and got so into it, although their times weren’t that fast.”

How, though, have her times been? “I’ve done a 61 [seconds] but one of my sisters did a 59,” she said. “I want to crack 60 and get round Shuttlecock Corner cleanly,” she admitted. She has yet to come out in Shuttlecock, no mean achievement after 18 rides, although she came perilously close to doing so last week when half her body was hanging over the lip before she managed to haul herself back onto her toboggan.

“I’ve not done a good Shuttlecock,” she admitted. “I’m not steering hard enough around it, and so I’m ending up too high at the end and I come back crashing in [against the iced wall opposite]. I had quite a few bruises on the legs in the first week and on the hands. It’s tricky to ride with swollen-up hands but it’s worth it all for sure. You start not to care so much about bruises, and the thing I love about the Cresta is that everyone is trying to help you and teach you what to do.”

The Ford family were among the first women to race the Cresta Run since the ban was liftedThe Ford family were among the first women to race the Cresta Run since the ban was lifted

The Ford family were among the first women to race the Cresta Run since the ban was liftedThe Ford family were among the first women to race the Cresta Run since the ban was lifted

Ford has received good advice from three women who have set times at which the quicker men would not scoff. Michaela Pitsch, a German, is the fastest female with a time of 44.51 seconds, while Kinny Evans is comfortably the best British lady with a 45.69. These times would mean they hit speeds of more than 70 mph near the end. Karen Kuhn, a Swiss, completes a triumvirate of fast women whom the SMTC secretary, Gary Lowe, believes could qualify to ride from Top before the end of this season.

“We will let the ladies go from Top, but treat them no differently to the men,” Lowe told The Times. “They must do consistent 48-second rides from Junction on a toboggan or 46s on the quicker flat-top skeletons. Equally important is how effectively they rake, as they must do that well to slow down sufficiently. That is all about strength, and I suspect those top three are strong enough.”

Lowe revealed that, next week, the inter-services race between the Army, Royal Navy and RAF will feature two women in each team. The same event last year saw women race — and acquit themselves very well — as part of a trial ahead of the SMTC’s EGM when two-thirds of the membership voted in favour of female inclusion.

“Having the ladies riding has gone very well so far,” Lowe concluded. “After the inter-services, there won’t be races open to them until the last week of the season, but they can have practice rides every day time-permitting. They will be very warmly welcomed.”

● Geoffrey Dean was a guest of the Kulm Hotel; he flew to Zurich on Swiss International Airlines and travelled by train to St Moritz on a Swiss Travel Pass

Cyprus Wine on the Rise

How new wave Cypriot wine still relies on its ancient varieties

The Buyer hits the road again and this time it’s destination Cyprus as Geoffrey Dean returns to the island three years on to discover how Cypriot wine is becoming premiumised. The bad old days of bulk wine exports to the Soviet Bloc have long since gone and now a new breed of internationally-sussed winemakers are using a mix of international and indigenous grape varieties to make fabulous wines with great sommelier appeal.

 By Geoffrey Dean

December 11, 2018

Three years after my first visit to Cyprus’ vineyards in 2015, it was gratifying to discover on a return this autumn that the island’s wines continue to get better and better. If Commandaria, one of the world’s oldest sweet wines, remains Cyprus’ best known beverage, its still wines have much to offer, especially those made from indigenous varietals like Xynisteri and Maratheftiko. Others, like Morokonella and Yiannoudi, are produced in small quantities but have great potential. Excellent Cypriot wines from international varieties like Cabernet Sauvignon, Syrah, Mourvedre and Viognier also feature strongly.

Mataro grapes at Fikardos

Mataro grapes at Fikardos

But it is the indigenous varietals, and their undoubted quality, that many of Cyprus’ winemakers believe will consolidate the island as a brand. The days of “execrable” bulk still wines, as Angela Muir MW once described Cypriot exports to the old Soviet Union, are long gone. The national crush is less than a tenth of what it was in 1990, and only 4% of Cypriot wine is exported. Table wine makes up 60% of production, but it is the mid-market and premium labels that are exported, mostly retailing for €15-20 at the cellar doors of Cyprus’ 65 producers. This offers really good value for money.

Long since the Greek poet, Hesiod, wrote in the ninth century of Cypriot sweet wine made from sun-dried grapes, the fundamentals for viticulture on the island have been strong. Enough sun-hours to ripen any grape, calcareous and volcanic soils, low rainfall and the highest vineyards – up to 1500m – in the European Union (bar the Canary Islands). Cyprus joined the EU in 2004, enabling winemakers to apply for a 40% grant for new equipment and buildings, which many have done. Throw in the fact that phylloxera has never found its way onto the island, allowing all vines to exist on own rootstock, and you have all the potential ingredients for successful winemaking.

70-year old Maratheftiko bushvines at Vouni Panayia

70-year old Maratheftiko bushvines at Vouni Panayia

The push towards indigenous varietals has been led by one leading winery, Vouni Panayia, which grows exclusively indigenous grapes: Morokonella, Spourtiko, Promara, Xynisteri (all white); Maratheftiko and Yiannoudi (both black). These are all made into single varietal wines, although a red blend of Maratheftiko, Ofthalmo and Mavro is also produced. The Morokonella 2017, an ABV 11.5% offering with fresh acidity, good length and attractive lemony notes, underlined the promise of this particular grape, while the Maratheftiko 2010, from 70-year old bush vines and aged in 100% new French oak, showed especially well.

Maratheftiko is not an easy grape to grow. First, all its flowers are female, which means it does not cross-pollinate and needs to be fertilised by other vines. Growers, therefore, have had to plant alternate rows of other varietals with it – for example, Shiraz. Secondly, it suffers from uneven ripening, with many of the berries still green at harvest time. This can make picking especially difficult and lead to inconsistent yields.

But there is no doubting the quality of the wines that Maratheftiko can produce. Other excellent examples include those from Zambartas, Vlassides, Ezousa, Vasilikon, Tsangarides, Nelion, Fikardos and Tsiakkas. The wines tend to be deep purple in colour, with gentler tannins than Cabernet Sauvignon, and appealing red cherry and black fruit with herbal notes. Some time in new oak helps give added structure, helping Maratheftiko to age well.

Vasilikon’s full range is exported to the UK, and includes a single varietal Lefkada, a grape that originated in neutral Greece but has now been adopted as one of Cyprus’ own. Vasilikon’s winemaker, Aphrodite Constandi, said that ‘no one wants to work’ with this tannic variety. “But it’s not as complicated as Maratheftiko,” she added. “For me, it smells of Cyprus – all violets and wild roses with herbal aromas like thyme. It’s like taking a stroll in the mountains.”

All mod cons: the new Sophocles Vlassides winery opened this year

All mod cons: the new Sophocles Vlassides winery opened this year

Marcos Zambartas, one of many talented young Cypriot producers who gained winemaking experience overseas, crafts a beguiling Shiraz-Lefkada blend (70:30), employing 60% new oak (as against 20% for his outstanding Maratheftiko). Zambartas Wineries‘ single vineyard Xynisteri, 40% of which was fermented in barrel, possesses extra body and roundness from five months of lees stirring. Zambartas is in talks with Amathus Drinks, which already imports Costas Tsiakkas’ excellent range.

Tsiakkas’ Yiannoudi 2016 is the best example of this varietal in Cyprus that I tasted. Glorious red fruit with sweet spice and damson notes, along with supple tannins, make this 13.5% offering highly drinkable. Their Promara, with roasted almond notes from five months on the lees, has more body than Xynisteri, being closer in character to Chardonnay or Chenin Blanc.

The barrel room at Argyrides Winery

The barrel room at Argyrides Winery

On the subject of international varieties, some fine Viognier is made by both Ezousa Winery and Argyrides Vineyards. The former’s red blend of Maratheftiko (40%), Syrah (30) and Mourvedre (30) works well, while the latter’s single varietal Mourvedre 2013, made from 43-year-old vines, exhibited some lovely red and black cherry fruit. Tsangarides Winery also makes a fine single varietal Mourvedre from low-yielding 40-year-old vines (although he labels it as Mataro). Tsangarides’ 2107 Xynisteri is a notable example of how appealing this grape can be, its flavour being enhanced by his use of four months on the lees as well as some batonnage. Eighteen hours of cold maceration adds body and structure.

It’s the international varieties that are keeping Sophocles Vlassides profitable

It’s the international varieties that are keeping Sophocles Vlassides profitable

Sophocles Vlassides, like Ezousa, produces an excellent Syrah, although the fact he labels it Shiraz underlines its stylistic difference. He nevertheless thinks indigenous varieties are the future for Cyprus. “The trends worldwide are to get something that is special for your area,” he said. “If you say you’re going to produce the best Yiannoudi, you don’t get a competitor in another country. Business-wise, this winery is profitable because of international varieties, but if you look into the future, you have to be ready for indigenous varieties.”

Minas Mina, Kyperounda’s winemaker

Minas Mina, Kyperounda’s winemaker

Kyperounda is another top winery that exports both international and indigenous varietals (through Berry Bros and Hallgarten Druitt). Kyperounda and Tsiakkas are among the best producers of Commandaria in Cyprus, both having abandoned the old tradition of fortifying.

“By adding pure alcohol spirit, you’re destroying too much of the fruit,” Minas Mina, Kyperounda’s winemaker, explained. Both his and Tsiakkas’ Commandarias are almost totally Xynisteri (each blends in 2-5% of the black grape Mavro). Tsiakkas’ 2012 Commandaria, which had 217 g/l residual sugar, was wonderfully complex, with citrus fruits as well as dried fig and toffee notes. “We don’t fractional blend, unlike the big co-ops, as we believe in the expression of the vintage,” Costas Tsiakkas’ son, Orestis, said.

No discourse on Cypriot sweet wine would be complete without mention of Ayia Mavri. This boutique winery’s Muscats of Alexandria have consistently won international awards over the past two decades, and the 2015 version (110 g/l RS, 14% abv) was wonderfully concentrated with a very long finish. Its quality, like that of so many other Cypriot wines, is clear, and is indicative of how far the island’s winemakers have come in the last decade or so. 

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Maturana Tinta: Vina Pomal's new USP

Maturana Tinta gives new Viña Pomal wine Compromiso its USP

Bottling in market is not entirely new – Viña Pomal was once so popular in the UK in the post-war years that bottling used to take place in Charing Cross. It was also, apparently, Winston Churchill’s favourite Spanish wine. Winemaker Alejandro Lopez and the rest of the Viña Pomal team were back in London, this time to launch their new wine Compromiso 2015. A five-variety Rioja blend, it is the Maturana Tinta that gives the wine its point of difference, says Geoffrey Dean, who tasted the new wine along with the rest of the new vintages of the rest of the range.

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By Geoffrey Dean November 27, 2018

Viña Pomal, whose wines date back to 1904, making them one of Rioja’s oldest producers, added to its outstanding range with the release of a new wine Compromiso, in London at the end of last month. Made up of five different varietals from the 2015 vintage, it is now available for restaurants and retailers across the UK.

Owned by Bodegas Bilbainas, which produces single vineyard wines in Rioja Alta, Viña Pomal’s 120 hectares of vines are situated on limestone and gravel soil on the edge of Haro. Four of the five varietals in Compromise – Tempranillo, Garnacha, Mazuelo (aka Carignan) and Graciano – are grown there, but the fifth, Maturana Tinta (aka Trousseau in France or Bastardo in Galicia) came from Rioja Baja, where the extra warmth there allows it to ripen fully.

Plantings of Maturana Tinta in Rioja, where it is authorised under DO regulations, are limited to just 16 hectares, which gives Compromiso its point of difference. As much as 20% of the blend is from the varietal, which contributes spice, colour and tannin. Alejandro Lopez, the Viña Pomal winemaker, revealed that due to the grape’s high level of pyrazines, he needs to ferment it at a much higher temperature than the other four varietals: 32C. “With this temperature, you can eliminate the pyrazines,” he said. This he manages skilfully to do.

Chefs Mario Sandoval and Marcos Moran with Alejandro Lopez, the Viña Pomal winemaker centre, Hispania, London, 2018

Chefs Mario Sandoval and Marcos Moran with Alejandro Lopez, the Viña Pomal winemaker centre, Hispania, London, 2018

The Tempranillo, which forms 40% of Compromiso, comes from 35-year old bush vines, while the Granacha (30%) is from even older 42-year old vines. These low-yielding plants add notably to the blend’s concentration. While the Tempranillo is aged in 225-litre American oak barrels, the Garnacha is matured in new medium-toast French barriques of the same size. The Mazuelo (5%) is fermented and aged in concrete tanks, while the Maturana Tinta is aged in 500l old American oak.

Lopez eschews cold soaking. “Not for these wines as I want wines that are easy to drink,” he said. “For Compromiso, we want to show a different wine based on the history and future of the winery. We are looking for medium structure and elegance. The French oak we use is 100% new while the American is 15-20% new. The separate vinification of the five varietals aims to enhance the virtues of each – balance and elegance from Tempranillo, charm from Grenache, spice nuances from Maturana Tinta, rusticity from Graciano and raw power from Mazuelo.”

The Viña Pomal Compromiso 2015, imposing in its heavyweight bottle (one kilo when empty), is a wine that ticks all the boxes. Glorious quality of fruit, notable intensity of flavour, a lengthy finish and powerful structure. It will certainly provide enjoyment to drinkers now but the tannins, though well-integrated, are quite overt. In short, it will clearly benefit from further ageing.

Viña Pomal wines were supposedly Sir Winston Churchill’s favourites from Spain, and it is easy to see why when tasting the rest of the range. The Maturana Blanca 2016, with its fresh acidity and citrus notes, was a very drinkable white offering, while the Reserva 2013 (100% Tempranillo aged in American oak) showed superbly. The Gran Reserva 2010 (90% Tempranillo, 10% Graciano) was equally impressive, if needing more time.

The Gran Reserva 2010

The Gran Reserva 2010

Ready now, and a real gem, is the Viña Pomal Alto de la Caseta 2012 (100% Tempranillo) from vines planted in 1983 on a small Haro hill with sandy soil and pebbles. Very small berries gave this wine wonderful concentration, while 20 months in 100% new French oak helped add structure to balance the fruit. With only 2,100 bottles made, this is a special limited-edition wine from a very fine producer.

Around 80% of Viña Pomal’s wines are sold domestically, but the company hopes to increase exports to the UK, where the labels were once so popular that, in the post-war years, bottling actually took place in Charing Cross, London.

Viña Pommel’s wines are sold to the on-trade through Codorniu UK, Mathew Clark, Bibendum and Walker & Woodhouse.

De Martino wines at Berry Bros dinner

Chile’s De Martino: the balance between scale and quality

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The wines of Chile have suffered in recent years through the giant strides being made in winemaking in other areas of the globe. But for winemakers like De Martino it is about getting the balance right between scale and individual cuvées that illustrate how remarkable Chilean terroir can be. This is one of the reasons that Berry Bros. & Rudd has picked up the De Martino wines for distribution, as Geoffrey Dean explains.

By Geoffrey DeanNovember 24, 2018

Sebastian De Martino showed off eight of his wines at a special dinner in Berry Bros. cellars.

When Sebastian De Martino declares that “we consider ourselves more vine-growers than winemakers,” you begin to understand the philosophy that underpins the Chilean winery’s whole approach to producing its wines. At a splendid tasting with food at their new distributors, Berry Bros. & Rudd, the wines spoke of a sense of place, exhibiting glorious fruit quality and real drinkability.

Sebastian de Martino

Sebastian de Martino

De Martino are indeed large-scale producers, making 1.8 million bottles per year, but their creed is organic farming with an emphasis on sustainability. All the reds tasted were under 14% abv at 13-13.5%, with elevage taking place either in old wood or ‘viejas tinajas’ (old clay amphorae). “We like balance, intensity and honesty in our wines,” De Martino mused. All three qualities shone through in his wines.

A pair of white wines that we kicked off with were a treat. First, the 2018 Gallardia Old Vine White (£14.50, 11.5%), a blend of Muscat, Chasselas and Moscatel (all co-fermented) from the coastal region of Itata, 450 km south of Santiago, was fresh and light-bodied, seeing only partial malolactic fermentation. A much more complex white (2017 Viejas Tinajas Muscat, £19.95, 13.5%), also from Itata, had been left on the skins for six months and neither fined nor filtered. Cloudy in colour as a result, as well as being very full bodied, it is very much a food wine.

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Sebastian De Martino happily admitted that ‘my everyday drinker at home’ was his 2016 Gallardia Cinsault, Itata (£14.50, 13%). Made from vines planted in 1982, fermented and aged in stainless steel, this was very light in colour and beautifully balanced, with strawberry fruit, super-soft tannins and fresh acidity. The 2016 Viejas Tinajas Cinsault, Itata (£19.95, 13%) was more complex with ‘more things happening’ as he put it. Generous red fruit and very well-integrated tannins were evident.

Then came the Old Vine Series (each priced at £33.50), all three of which were field blends and co-fermented. The first, the 2016 Vigno Old Vine Carignan (13.5% abv) had a sprinkling (15%) of  Cinsault, Malbec and Pais. Produced from Maule vines planted in 1955 on granite, and yielding only half a kilo of fruit per plant, this wine was aged in old oak foudres (up to 5,000l), and had a beautiful acid line running through it.

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The 2013 Limavida Old Vine Malbec, with some Cabernet Sauvignon and Carmenere thrown in, comes from the oldest vines in this series – dating as far back as 1945 – in northern Maule. Blessed with a very low pH, and therefore tasting wonderfully fresh, this elegant, gently extracted blend (13.5% abv) is a special wine.

So too is the 2016 Las Cruces Old Vine Malbec/Carmenere (75:25) from vines planted in 1957 in Cachapoal, 100km south of Santiago. Blessed with glorious fruit and a long finish, this 13% ABV blend, with its notable freshness and well integrated tannins, was a stunning wine with which to conclude.

Ian Botham's new sparkling wine

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BOTHAM’S ENGLISH FIZZ WILL COST £45 A BOTTLE

30th August, 2018 by Geoffrey Dean

Having recently launched a range of Australian wines in the UK, Sir Ian Botham has revealed ambitious plans for an English sparkling wine priced at £45 a bottle.

Ian Botham with Geoffrey Dean at Beefy’s Restaurant in the Hilton Ageas Bowl in Southampton

Speaking to the drinks business at Beefy’s Restaurant in the Hilton Ageas Bowl in Southampton on the eve of the fourth Test match between England and India, Botham said:

“I love English sparkling wine and would love to find a partner to work with us. We’re happy to talk to anyone as long as it might fall into the quality of the style we’re looking for.”

Botham’s business partner, former Accolade CEO Paul Schaafsma, who represents Botham’s wines via his distribution company Benchmark Drinks, revealed the pair are aiming for a price point of £45 for the sparkling wine.

Schaafsma expects Berry Bros & Rudd, which has taken 300 six-packs of Botham’s top tier Shiraz from the premium ‘Sir Ian’ label, to sell the bubbly.

“The problem’s not finding the producer, it’s finding the quantity. We need 500 dozen from an English producer who would like to partner with us and fall under the Botham brand,” Schaafsma told db.

“They’ll make the wine and sign off what the cuvée is. One producer was very keen to progress, and we got to the point where we needed 6,000 bottles, but they didn’t have it. They said it would take another two years for them to be able to get the wine,” he added.

Botham’s premium Shiraz was bottled four weeks ago and will be available in the UK this autumn. In Australia, Dan Murphy and Woolworths have taken a slightly smaller allocation, which will reach their stores in October.

A further expansion of Botham’s still wine range is being lined up for next year, with plans to bring in some rosé from Provence as well as some Spanish reds from Rioja, Ribera del Duero and Priorat, as Botham is a big fan of Spanish wine.

“We’re going to Provence next March and will visit some producers we like. There’s three of four we’d like to target with a view to securing wine from next year’s harvest,” Botham revealed.

Ten top South African wineries to watch

Geoffrey Dean’s Top 10 South African wineries to watch

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A good deal of the recent media headlines about South African winemaking have been reserved for the New Wave producers as well as the established names that keep delivering the goods year after year. Geoffrey Dean has been visiting the country for the past 25 years and, on a recent trip, decided to visit a large number of wineries that are still under the radar – new wineries that we haven’t yet heard about or ones that are making giant strides forwards.

By Geoffrey DeanMay 5, 2018

The 10 South African wineries that Geoffrey Dean thinks we should keep an eye on are either new, undiscovered, have made a major leap forwards or in one case, raising the bar to exceptional levels.

As a regular visitor to the western Cape winelands over the past quarter of a century, I would argue that the quality of wines produced has risen faster in that time than in any other country. The best-known wineries initially led the way, but in the last decade, inspired perhaps by the free-spirited Swartland and ‘New Wave’ winemakers, scores of producers have raised their game immeasurably. Here are a mixed bag of ten from seven different districts and no same ward (or appellation) that caught the eye on a trip last month.

Babylonstoren (District: Paarl) – NEW

Aerial view of Babylonstoren

Aerial view of Babylonstoren

One of the oldest farms in the western Cape, tucked into the Simonsberg slopes, finally saw vines planted between 2005-7, with the first vintage being 2011. Already, the highly capable pair of Charl Coetzee, cellar master, and Klaas Stoffberg, winemaker, have come up with an excellent range of six still wines and an impressive sparkling wine – Sprankel 2013 (Afrikaans for ‘Sparkle’) – a blanc de blancs (Chardonnay) that spends 54 months on the lees. The medium-bodied Shiraz 2016 showed especially well while the Nebukadnesar 2015 is a powerful Bordeaux blend with great intensity and structure with many years ahead of it. (UK distributor: Babylonstoren UK Ltd)

Beaumont Family Wines (Walker Bay) – RAISING ITS GAME 

Sebastian Beaumont

Sebastian Beaumont

Sebastian Beaumont crafts an eclectic range of superb wines on the family farm in the tiny Bot River ward, west of Hermanus. Old vineyards on shale soils provide good texture and structure. The Buyer was the first to taste the just-bottled 2017 Hope Marguerite, one of South Africa’s best Chenin Blancs. It has it all – fabulous fruit intensity, concentration and length, with 5g/l of residual sugar balancing some lees pithiness and vibrant acidity. A white blend, named the ‘New Baby’, of Chenin, Sauvignon Blanc, Semillon, Colombard and Chardonnay, also stood out.

Beaumont was the first in South Africa to bottle a single varietal Mourvedre, and the current 2013 release has glorious fruit expression. His Starboard Dessert Wine, a sumptuous blend of five port vintages from 2005-11, won the current Platter award for SA’s Fortified Wine of the Year, and is being shipped to the UK. So too is the 2015 Pinotage, made from 44-year old vines. (UK distributor: Dreyfus Ashby UK)

JC Wickens Wines (Swartland) – NEW

Aerial view of Jasper Wickens’ vines

Aerial view of Jasper Wickens’ vines

Jasper Wickens could not have had a better mentor than Adi Badenhorst, whom he teamed up with nine years ago as assistant winemaker. Jasper still works with the old greybeard of wisdom but also makes his own Swerwer range (from the Afrikaans for ‘Wanderer’). The perfumed, complex and long 2016 Red Blend (of Tinta Barocca, Cinsault and Grenache) has taken the local market by storm, selling out, while his Chenin Blanc and Shiraz are both fresh and supple with very attractive fruit. Definitely a name to watch. (UK importer: Gudfish)

Saronsberg (Tulbagh) – UNDISCOVERED   

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It is no surprise that winemaker Dewaldt Heyns consistently wins awards year after year for Saronsberg wines. The estate has an extremely wide diversity of soils – shale, rocky riverbeds, clay, loam, alluvial and decomposed granite – with the shale helping to give wines a low pH and, with it, higher acidity. The latest vintage of the winery’s flagship red, the Full Circle 2015, a Rhône-style blend with a dash of Viognier, is a masterly effort. Absorbing 100% new French oak effortlessly, it has many layers of complexity along with finesse and silky tannins. The 2016 Shiraz, to be released in May, is a fine example of that varietal, as is the Viognier 2016, a creamy, full-bodied food wine. Throw in a notable blanc de blancs, and you have quite a stable. (UK importer: www.HVvin.co.uk)

Scali (Paarl) – UNDISCOVERED

Willie & Tania de Waal

Willie & Tania de Waal

In the picturesque Voor Paardeberg ward of Paarl lies a gem of a winery that has been certified organic since 2010. The Afrikaans for Scali is ‘shale’, totally apt as the vineyards lie on this soil. Willie De Waal, whose ancestor bought the farm in 1870, produces such exceptional fruit from low-yielding vines that several well-known other producers buy it, notably Eben Sadie and Miles Mossop, but he makes half a dozen of his own labels from Chenin Blanc, Syrah and Pinotage.

The mid-market Sirkel range is all about ‘fun and drinkability’ in de Waal’s words, with the red-fruited Pinotage already selling well in the UK. The premium Scali estate range is characterised by freshness, medium body and elegant fruit expression. The sparkling Methode Ancestrale 2014 (single fermentation with two years on the lees), produced from 50-year old Chenin Blanc vines, is a delight. For his wines, de Waal uses wild yeasts, in keeping with the estate’s identity. (UK distributor: Astrum)

Spier (Stellenbosch) – MAJOR LEAP

Spier’s 21 Gables range

Spier’s 21 Gables range

A big producer, coming up with 500,000 cases per annum, but one with a laudable philosophy of self-sufficient sustainability, and a top winemaking team, headed by Frans Smit. The estate is farmed organically, although fruit is bought in from various parts of the western Cape, including Durbanville, Elgin, Elim and Paarl, giving useful options. There is so much quality in the three main premium ranges that picking individual wines out is not easy, but the just-bottled Creative Block 5 2015 (a Bordeaux blend) is a crackerjack. To be launched at the London Wine Fair, Smit rates it as one of the three best vintages he has made. At £15-17 RRP, it will represent tremendous value. The soon-to-be-released 21 Gables Pinotage 2015 from a single vineyard has gorgeous black fruit with great intensity, while the Frans K Smit White 2015 (Sav Blanc/Semillon co-fermented) is a classy new premium label. (UK distributors: Walker & WodehouseBibendum)

Sumaridge (Walker Bay) – MAJOR LEAP 

The Sumaridge winery

The Sumaridge winery

Owned by two Brits, Simon Turner and wife Holly Bellingham, this Upper Hemel-en-Aarde Valley winery has got better and better over their ten-year tenure. Walter Pretorius, who took over as chief winemaker in 2016, is continuing the production of top-class Pinot Noir and Chardonnay in this cooler climate area renowned for both varietals. Sumaridge’s Cape blend ‘Epitome’ label (Shiraz/Pinotage) is a wine that has also won a strong following, as has the ‘Maritimus’ white blend of Sav Blanc, Semillon and Chardonnay. (UK importers: Mr Wheeler WinesSporting Wine Club)

Val du Charron (Wellington) – UNDISCOVERED 

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Just east of Wellington can be found this former fruit farm, with views that are majestic even by western Cape standards. This is the tenth vintage for the boutique winery, whose Reserve Merlot 2015 is the pick of the reds, closely followed by the Reserve Cabernet Sauvignon 2014. Winemaker Paul Engelbrecht also produces an appealing mid-market Pinot Gris. Later afternoon breezes and the fact the farm sits 60m higher than Wellington helps keep temperatures down and pHs lower. Quebec is a big market for Val du Charron, including Celine Dion’s restaurants there. (UK importer: Val du Charon UK)

Welbedacht Wine Estate (Wellington) – UNDISCOVERED 

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The farm, owned by one of the great Springbok rugby families, has long been producing top-class fruit, notably Syrah that Schalk Burger senior used to sell to Boekenhoutskloof for their premium label. Now he keeps it for his own purposes. Winemaker Hardus van Heerden skilfully vinifies as many as 19 varietals from the estate, which sits on decomposed granite in the new Groenberg ward, named after the mountain that has the biggest uplift of wind in southern Africa, attracting leading hang-gliders but, more importantly, cooling the vineyards.

Burger has just released a limited edition ‘Famous Dozen 2016’ case of 12 different red varietals – (Cab Sauv, Merlot, Cab Franc, Malbec, Syrah, Grenache, Mourvedre, Pinot Noir, Carignan, Cinsault, Pinotage and Petite Sirah). “You can really taste the estate on what is the most unique decomposed granite soil, with some clay and shale,” Burger says of the numbered cases (300), an allocation reaching UK in May. A collector’s item. (UK importer: Sporting Wine Club)

Zandvliet (Robertson) – MAJOR LEAP 

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This historic old estate, with its magnificent Cape Dutch manor house, is aiming to focus on Shiraz and Chardonnay. Robertson is a renowned region for the latter grape, the cooling breeze that blows up from Cape Agulhas most afternoons playing a key part. A soil survey in 2016 showed Zandvliet possessed a unique patch of high salinity which, while requiring careful management, holds back naturally vigorous Shiraz vines. Jacques Cilliers, the winemaker, maintains the resultant stress on them and produces ultra-concentrated fruit.

The ‘Small Berry Pick’ Shiraz 2016 provides ample evidence, while the Kalkveld Shiraz 2015, produced from a hotchpotch of soils, is a belter with approachable tannins and marked intensity of flavour. The ‘Hill of Enon’ Chardonnay 2015 is, in Cilliers’ words, the ‘type of wine of wine I want to export to the UK.’ Ultra low-yielding (18 tons from seven hectares) this is the last year it was made as the block was grubbed up due to leafroll virus. A buy. (UK distributor: Harley Wines

  1. ANNETTE BELLER-SOGOR

    1. May 7, 2018

    REPLY

    Excellent review of hidden gems!!!

    • Industries: Other

  2. THOR GUDMUNDSSON

    1. May 8, 2018

    REPLY

    Nice article! Thank you on behalf of JC Wickens Wines.

    • Industries: Wine Merchant

  3. ADRIAN RORVIK

    1. May 11, 2018

    REPLY

    A delicious list! One to note and carefully file for upcoming Western Cape road trips. I’ve visited several of the estates and tasted most of the labels- though not necessarily the wines mentioned. Nice to see Val du Charron (I do like their Malbec) and Sumaridge on the list.








Bordeaux's 2017 Vintage

Geoffrey Dean on Bordeaux 2017’s “very serious vintage”

As the jamboree of the Bordeaux En Primeur tastings begin this week, the message from La Place de Bordeaux is that, despite the reduction in yield, the Bordeaux 2017 vintage is very serious, if not an exceptional one. Geoffrey Dean attended the La Place tastings and caught the mood of the châteaux owners, brokers and importers as an entrée to the following fortnight’s main course of sampling.

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By Geoffrey Dean

April 8, 2018

A “very serious vintage, if not an exceptional one” was the view taken last week of the 2017 vintage by La Place de Bordeaux, the collective made up of the region’s negociants and brokers after their annual sampling of Left and Right Bank wines ahead of the primeur tastings next week.

Those were the words of Thierry Budin, managing director of CA Grands Crus, owners of Château Grand-Puy Ducasse, the Pauillac fifth growth, and of Château Meyney, the St-Estèphe Cru Bourgeois.

Budin reported back to The Buyer after attending La Place’s tastings: “This vintage will surprise a lot of people. Except 1947, years ending in a ‘7’ have not been special but 2017 is much better than 2007, and maybe even better than 2014.”

The venue for La Place’s tastings, Bordeaux

The venue for La Place’s tastings, Bordeaux

Certainly, Château Kirwan, the Margaux third growth, produced a stunning 2017 (13.3% abv). Made up of Cabernet Sauvignon (50%), Merlot (35) and Cabernet Franc (10), it also contained some Petit Verdot and a dash of Carmenère. Some 3,000 Carmenère vines were planted at Kirwan by Rodrigo Laytte, the chateau’s Chilean technical director in 2014. The fruit went into the 2016 grand vin (0.5%), with this being increased to 1% for the 2017. “Carmenère contributes some blueberry and violet notes, and adds more creaminess, giving the blend a little touch of personality,” Laytte said.

Another Margaux classed growth, Château Prieuré-Lichine, likewise produced a fine 2017, with lovely freshness, elegance and smooth tannins.

Devastating late April frost hammered parts of the Medoc & Saint-Emilion

Devastating late April frost hammered parts of the Medoc & Saint-Emilion

Although neither Grand-Puy Ducasse nor Meyney’s yield was affected by the devastating late April frost of last year, it hammered other parts of the Medoc and St-Emilion, in particular, and should cause Bordeaux’s overall production to fall by a third or more on 2016, a year of admittedly above average yield. Certain producers, such as Chateau Reverdi, in Listrac-Medoc, lost their entire 2017 crop to the frost.

Paulin Calvet, owner of Château Picque-Caillou in Graves, who lost 15% of his black and 10% of his white grapes, fears the lower production could lead estates to set 2017 primeur prices at 2016 levels. “2017 was not dry nor hot enough to be another 2016,” he told The Buyer. “We won’t be able to produce the same quality as 2015 and 2016, but if the top names don’t move their prices down, then it’s not fair.”

Calvet thinks 2017 will be a better white than red vintage, notably in Graves. His white 2017 blend of 70% Sauvignon Blanc and 30% Semillon, aged in wood with 25% new, showed superbly.

Château Lagrange, the Saint-Julien third growth’s white Les Arums de Lagrange, also impressed, while Yves Raymond, winemaker for Château Saransot-Dupré in Listrac, a well-known area for quality whites, said 2017 could be one of his best whites.

Yves Raymond with the trophy from Le Point

Yves Raymond with the trophy from Le Point

The quietly-spoken Raymond won the annual Cru Bourgeois Cup last year for his 2014 Saronsot-Dupré, a coveted award run by the French magazine, Le Point. A Merlot-dominated Bordeaux blend, it saw off more than 150 other entries and, alongside his excellent 2016 white (50% Sauvignon Blanc; 50% Semillon), is newly available through Vindependents.

In Sauternes, Château Climens did not make any of their first wine last year, so bad was the frost damage. In nearby Cadillac, however, Château Biac, which looks resplendently down on a turn in the Garonne suffered no frost damage at all thanks to its proximity to the river. Their sumptuous botrytised sweet wine, Secret de Château Biac, made predominantly from Semillon, is available through Sheldon’s Wines in Shipston-on-Stour.

Top Ribera del Duero wines 2012-14

Tasting Tim Atkin’s 12 top Ribera del Duero from 2012 and 2014

2012 in Ribera del Duero was a vintage that had to deal with ‘off the scale’ heat (40ºC and more) and yet it has produced interesting wines. Geoffrey Dean attended Tim Atkin’s master class at the annual Ribera del Duero tasting in London and saw Atkin contrast the 2012 with the far cooler 2014 vintage with some spectacular results.

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By Geoffrey Dean November 17, 2017

No Pingus at the tasting but there was Dominio de Atauta’s 2014, a “belter” of a wine made from 90-150 year old grapes grown 1000m on poor soil – you just know that’s going to be good! 

Tim Atkin’s masterclasses on his favourite regions are always good value, for the old fox invariably slips in a googly or curve-ball, to borrow a sporting analogy (this is cricket for our international readers – Ed.). His Ribera del Duero selections in London earlier this month were a thoroughly interesting dozen, all wines coming from the 2012 and 2014 vintages. Eleven of them were single varietal Tempranillo, with the odd one out being 88% of that grape.

The former year was a formidably hot one, even for a region like Ribera where growing season temperatures can hit 40ºC. “2012 was off the charts when it came to heat,” Atkin mused, adding that 2014 made a good contrast, with cooler conditions making the production of balanced wines all the more feasible.

The eight 2014s in the lineup

The eight 2014s in the lineup

Kicking off with a crianza, named Tinto Figuera 12 Meses, from the Garcia Figuero family bodega (UK distributor: Connoisseur Estates), this was a very drinkable wine. Attractive fruit from 40-50 year-old vines, vibrancy and well-integrated tannins all combined to persuade you this 14% offering should be bought. No price was given though.

SWiG stocks the second wine tasted, a Pascual Buro Vendimia Seleccionada (£16.95). Like the first, it was 14% abv, but from older vines (60 years) at 900m. A significant amount of chalk in the site led to notable freshness in this appealing wine.

The third 2014, Dominio de Basconcillos’ 12 Meses en Barrica (12 months in barrel) was even fresher, lighter and higher in acidity on account of some of the highest vineyards in Ribera del Duero (1,000m). A remarkable, very windy site, as Atkin described it, it is an ex-cereal area that is farmed organically. Vintage Roots distributes the wine.

Another cracker was the Aster, Finca El Otero 2014 (Armit Wines, £30) from Burgos, the central chunk of Ribera where most of the best wines comes from. This big wine (14.5% above but well-balanced) was notably complex with well-meshed tannins and a long finish. Clearly, it will age well.

What was particularly interesting about the Aalto 2014 was that it came from as many as 200 different plots, none bigger than a hectare, in nine different villages. Vine age varied from 40 to 80 years in the main, although some grapes came from young vineyards outside Valladolid. The wine had real intensity of flavour, and good length, but needs time to evolve after 16 months in new oak (both French and American).

A wine from even older vines came in the form of Dominio de Atauta’s 2014 (Boutinot). The youngest of the vines were a mere 90 years old, with the most ancient being 150 years. From a stunning spot, with poor soils 1000m above sea level in the extreme east of the DO, this was a belter – complex, long and lovely with garriguey notes. French oak (40%) was used for 16 months of maturation.

Perhaps not surprisingly, there was no Pingus in the tasting, but another wine from Peter Sisseck’s stable, showed beautifully. His PSI 2014 (88% Tempranillo and 12% Garnacha) is available from Corney & Barrow at £185 per 12-bottle case, which represents fair value. Grapes sourced from 150 sites at 800-990m were harvested for this wine, whose spice and higher acidity was evident thanks to the Garnacha.

Atkin masterclass at OXO2 in London

Atkin masterclass at OXO2 in London

The last of the 2014s, Bodegas PIngon’s Altamimbre, was more forward than the others. The oak (French) appears to have been very well handled, allowing some appealing fruit from 45-year old vines to show through.

Moving on to the 2012s, from that super-hot vintage, one wine in particular stood out. The Perez Pascuas Vina Pedrosa Reserva (Bancroft Wines), which comes mainly from old bush vines, had excellent length, freshness and complexity, being superbly balanced. Picked early, the alcohol was kept to 14%.

Also excellent was El Lagar de Isilla, Reserva 2012 (Stone, Vine and Sun; £22.95). Vines that were at least 60 years old supplied fruit that produced really neatly integrated tannins, a very long finish and notable freshness. Even with 15% abv, the wine was well-balanced.

Bodegas la Horra’s Corimbo 2012 was an impressive offering from much younger bush vines (20 years on average). Its tannins were more overt, but the wine (14% abv) exhibited some savoury, balsamic complexity. The final 2012, a Trus Reserva, was likewise ‘starting to move into that balsamic world’ as Atkin put it. Already well-evolved, it is available from Georges Barbier.

Absa's top 10 Pinotages

The art of food matching ABSA’s top 10 South African Pinotage

Large-scale bulk production of Pinotage has often led to this cross of Pinot Noir and Cinsault being derided by the critics. But there have always been top producers, many of which were on show at a tasting dinner held at The Harrow, Little Bedwyn in the company of Dr Winnie Bowman, Cape Wine Master. Bowman and chef Roger Jones put together pairings that showed just how good Pinotage can be when made by the right winemakers.

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By Geoffrey DeanOctober 27, 2017

Lanzerac, Kanonkop, Delheim, Diemersfontein, Flagstone, Moreson, Neil Ellis, Stellenbosch Vineyards, Wellington Wines and Windmeul were the ten Pinotage producers represented at the lunch.

Neethlingshof Piontage vineyards

Neethlingshof Piontage vineyards

Pinotage is on the march again. That was the only conclusion I could draw after a memorable lunch at Roger Jones’ Michelin-starred restaurant, The Harrow, in Little Bedwyn near Newbury, last month.

We drank either single varietal Pinotage or blends where Pinotage largely predominated, and were blown away by not just the quality but also how well the wines went with Jones’ outstanding cuisine. More on that later, but first what we drank, all available in the UK.

Freshly picked Pinotage

Freshly picked Pinotage

It has been fashionable in certain quarters – often unfairly – to deride Pinotage, a grape born in 1925 from a South African crossing of Pinot Noir and Cinsault by Abraham Perold.

While large-scale bulk production tended to yield a wine of little distinction, some wonderful examples of Pinotage were made not long after Lanzerac became the first to sell it commercially in 1959. Lanzerac and Kanonkop, were early flag-bearers – and indeed still are – for two of their labels made it into the 2017 ABSA top 10 Pinotage Wines, most of which were available for tasting at the lunch, courtesy of the Pinotage Association and Dr Winnie Bowman, Cape Wine Master.

The 2017 ABSA top 10 Pinotage Wines

The 2017 ABSA top 10 Pinotage Wines

What were the other eight wineries?

DelheimDiemersfonteinFlagstoneMoresonNeil EllisStellenbosch VineyardsWellington Wines and Windmeul. An impressive line-up.

Kanonkop’s Pinotage 2012 went especially well with the starter: potato and leek soup with scallops and truffle. Soft tannins, appealing fruit, several layers and a long finish with great balance combined to make this a lovely wine. A fine blend from Pulpit Rock, the Louise Reserve 2013 (50% Pinotage, 45% Cabernet Sauvignon, 5% Shiraz) was also a good match thanks to its very soft tannins and velvety texture.

The second course, seared yellow fin tuna with anchovies and capers on top, found ideal accompaniment in some Lanzerac Pionier Pinotage 2014 and Flagstone Dragon Tree 2014, a blend of 30% Pinotage, 32% Cabernet Sauvignon, 31% Shiraz, 5% Malbec and 3% Merlot. While the former was rich, soft and voluptuous with a salty freshness, the latter was multi-layered with glorious fruit.

The main course, grouse, found a good match in Moreson’s MKM Pinotage 2015 (named after a long-serving employee, Moraka Klaas Maffa). Made by Clayton Reabow, this complex wine needs time for its grippy tannins to soften but it is designed to go with a big steak. Beyerskloof Faith 2014, a blend of 34% Pinotage, 33% Cabernet and 33% Merlot, was perhaps an even more fitting partner, showing wonderful intensity and great balance and length.

Dr Winnie Bowman, Cape Wine Master

Dr Winnie Bowman, Cape Wine Master

A wide selection of cheeses, including some Stinking Bishop, were nicely counterbalanced by Flagstone Pinotage Writer’s Block 2015 and KWV’s big and bold Abraham Perold Tributum 2014 (30% Pinotage, 32% Shiraz, 21% Merlot, 13% Cabernet and 4% Petite Sirah). Gerhart Swart, who made the former from some very attractive red fruit, has fashioned a lovely wine with vivid acidity and a long finish. Izele van Blerk, who crafted the latter, can rightly claim her creation needs more time to evolve.

Other wines we drank with nibbles before lunch deserve mention. The Neil Ellis 2007 Vineyard Selection was a wonderful example of a mature single varietal Pinotage, showing glorious red fruit, beautifully integrated tannins and faultless balance. The fruit of the Neetlingshof 1999 was still fresh, although not quite as intense as the Ellis. A much younger wine, the Diemersfontein Carpe Diem Reserve 2015, exhibited some gorgeous red fruit, and yet elegance at the same time with its tannins superbly meshed.

Another blend needs a mention in despatches – the Idiom Collection 2014, made by Reino Thiart, which was opulent and velvety, with notes of black forest cake and raspberries/mulberries. Blessed with soft tannins, it had a long finish, being 42% Pinotage, 28 Cabernet, 25 Merlot & 5 Shiraz). KWV’s seductive 15-year old Potstill brandy, meanwhile, was made from 100% Pinotage grapes.

The four ABSA top 10 Pinotage wines we did not taste were: Delheim 2012 (made by Altus Treurnicht); Stellenbosch Vineyards Bushvine 2015 (Abraham de Villiers); Wellington Wines La Cave 2016 (Chris Smit & Francois van Niekerk); and Windmill Reserve 2015 (Abraham van Heerden). I have no doubt all of them will help to spread the word that the best Pinotage can provide some very fine wine.

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